THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

The best Side of Charlie Chaplin's "The Circus" (1928)

They in many cases are craving romantics, using this type of change: Buster would seem a plausible mate, and the Tramp rarely appears to possess a libido, only idealized notions. If their comedies had been made in a more liberated time, it can be done to imagine Keaton in mattress with a lady, but disquieting to think of the Tramp as being a sexual

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