THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They in many cases are craving romantics, using this type of change: Buster would seem a plausible mate, and the Tramp rarely appears to possess a libido, only idealized notions. If their comedies had been made in a more liberated time, it can be done to imagine Keaton in mattress with a lady, but disquieting to think of the Tramp as being a sexual